My thoughts on D∆WN’s ‘Redemption’ album, which just dropped and is already on REPEAT
Years ago, I used to write music reviews and share them with friends and co-workers. But a strange thing happened: I started writing for a living and my quirky, humorous reviews came to a halt. Crazy, right? Well, the release of D∆WN’s Redemption album has reignited a flame within me that’s been dormant for too long. As I write this, I am currently sitting (sometimes standing) on my couch, blasting the stream of Richard’s “Renegades” through my TV. It’s loud AF because I cannot contain how much I love it and I don’t care who knows it. Not even folks who can see me dancing like a madwoman when I play it while I’m driving, but more on that later…
When I first heard Redemption last week on NPR, I instantly fell in love with it and knew I had to have it come Nov. 18 when it officially goes on sale (which is today, but I already pre-ordered). I listened while working, and accomplishing my tasks while jamming to Richard’s moving melodies made for the sweetest struggle ever.
Like, WHYYYTF is @DawnRichard “Redemption” so fucking good?! I’m only on track 6 and I can barely breathe 😣😣😣 — Kenya (@KGEdits) November 10, 2016
So, here’s my personal review of Redemption. Needless to say, the entirety of the album is LIT, but I simply highlighted my faves along with a brief summation of Richard’s sonic slayage. Redemption (Intro): DAMMIT, I’M HOOKED ALREADY. It reminds me of a fantasy movie, like this scene out of The Neverending Story where Atreyu came face to face with Bastian at the Magic Mirror gate:
Love Under Lights: This song finds Dawn singing about a woman who is 5’10″/lookin’ real good in her skin/I think her shirt said Zeppelin/boots up to her ass, man,” and then the next verse, she’s eyeing a guy who is also a prospect for some “temporary lovin’.” It’s a pretty clever way to highlight sexuality as a theme. And once again, the beats are BOMB.
LA: This laid-back tune is something you can ride to in deep, contemplative thought. Just when I finally grasped the lyric, “We thought we was above it all ‘cause we’ve been friends since Wayne was a Hot Boy,” the the instruments take over at the 2:00 minute-mark and veer off into New Orleans jazz band territory with a Trombone Shorty feature, and I willingly go with it.
Renegades: I don’t know how I manage to drive listening to this song because this is literally me behind the wheel, only I dance harder:
Then when the beat drops at 3:09, it’s like the spirit takes me OVER and who TF is driving my car ’cause it sure ain’t me:
IF IT ISN’T OBVIOUS, THIS IS MY FAVORITE REDEMPTION SONG…On a more intellectual note, anyone else notice how the lyrics paint a picture of someone who wants to run away with a rebel, presumably towards freedom, yet the enunciation of “Renegades” is so tight and restricted? I need to know if that juxtaposition was intentional or just a sign that I got way too buzzed while listening to this.
Vines (interlude): OK so I see she doing this shit again. Just like I needed A Tell Tale Heart‘s “Vibrate” to be longer and BlackHeart’s “Titans” to be a full-length ass song, I’M TOO DOPE TO WALK THIS EARTH WITHOUT A FULL VERSION OF VINES, DAWN! Thx in advance!
The Louvre: Undeniably soul-stirring. The opening with the strings makes me wanna ugly cry even when I don’t have a damn thing to be sad about. But like redemption, the 3:00-mark will uplift you and have you standing on a roof, fully believing you can jump off and fly.
Valhalla (Outro) – EFFIN’ LOVE THIS. Why are Dawn’s interludes more lyrically and sonically superior than anything I hear on any random radio station?!
So, from start to finish, Redemption is a beautiful album. Dare I say it’s Dawn’s best one yet? I just wish there were more SONGS because, ugh, it’s just too good to be a mere 47 minutes long. While I’m sad to see the Hearts trilogy come to an end, I know I won’t stop listening to any of the previous Heart albums anytime soon.
Oh, and I cannot WAIT to see her perform “Renegades” live.
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